![]() The deranged raw tracks were mixed into final form by Matt Qualls at Young Avenue Sound, and mastered by Jason Ward at Chicago Mastering. Having played out heavy in 2018 with a refined live show, a four-song demo, and several Gonerfest appearances under their belt, HR cut the record at home on a borrowed 8-track cassette machine. It doesn’t feel controversial to claim that the duo of Watson and Lones constitutes one of the best rhythm sections to be heard anywhere in contemporary punk music. All of this is locked in by Watson’s characteristically visceral swing. Without anything resembling traditional leads, guitars snake in, out and around Lones’s bass lines, which alternate between slinky earworm hooks and steel cable raw power. McIntyre and Williford’s guitar interplay on Drecksound draws from some weird rundown of usual and unusual suspects in the tight corner of avant-punk guitar work, recalling some free-association that includes: Marquee Moon, John Fahey gone electric, the playing on Ornette Coleman’s mid-70s Body Meta and Dancing In Your Head, prime-era Flesheaters, and (why not) the first two Meat Puppets albums. Case in point: A-side epic In The Tank, where a vindictive custodian boils alive the wealthy patrons at the sensory-deprivation tank facility where he works. He’s a merry prankster, but more in the mold of a jackbooted Monty Python character than a Ken Kesey acid casualty. The chorus to the incendiary Step 2: Success is sneered, not sung, “It’s a long con job and you just got it wrong / banned from the world.” Or take Open Invite’s opening missive, “I won’t settle for anything less than a four-star refugee camp.” McIntyre’s lyrics present a puckish fascination with humankind’s rake-stepping self destruction. Perhaps both because and in spite of the alienation that typifies the glut of rock music at the end of this god-damned decade, these twelve songs deliver a pointed social criticism, more cathartic than suffocating, while championing a nihilism that greets the abyss by laughing mockingly in its face. Drecksound is a clattering, shambolic oasis in the sleek digital desert of the late twenty-teens. But their debut full-length dives into territory that feels distinctly untethered from their lineage and era. The band is fronted by guitarist Alec McIntyre of Ex-Cult, with NOTS rhythm warriors Meredith Lones on bass and Charlotte Watson on drums, and rounded off by George Williford on second guitar. The sum of these digital transversal digital competences allows me to evaluate the result of the contents I create.Ĭopywriting is one of the most rewarding activities because it generated opportunities to know new professionals and participate in projects with companies of different fields.A quick glance at the résumés of Hash Redactor’s members might seed certain expectations. Likewise, I have attended to specialized seminars about Web Analytics. Moreover, I have the Advanced level in English as well as the C1.2.Īs for my Master’s degree, I have a Master in Managing and Planning of Tourism as well as a Postgraduate course in Digital Marketing (2017). This helps me write confidently in both languages. Moreover, I have the level C2 both in Spanish and Catalan. Since my beginning as copywriter I have collaborated in several projects in different areas, such as hotels, advertising agencies, schools, events, sporting teams, architecture studios, engineering, among others.Īs for my background, I am graduated in Advertising and Public Relations (2013) (with Hons) at the University of Girona. I create contents which allow me to enhance the main features of my customers and generate value in every single project in which I participate. ![]() ![]() ![]() My goal is to help my customers: companies, agencies and customers to create the contents which help them sell better. In other words, I write contents for companies from different fields. My name is Jordi Serra and I am a Freelance copywriter. ![]()
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